![]() ![]() Live at the Roxy documents an appearance at the famed West Hollywood club in the spring of 1991, when The Hip were touring behind their sophomore full-length, Road Apples. cities they could book for multiple nights. They were able to establish Los Angeles, however, as one of their American strongholds, one of the few U.S. It’s been endlessly documented-even by the band-that The Tragically Hip never rose very far above cult status in the States. ” As Trudeau and so many others have noted, Downie had a remarkable way of incorporating Canadian geography and history in his lyrics, re-casting them as modern myths that transcended the scope of pop music, yet integrated seamlessly with the fabric of Canadian pop culture.ĭownie referenced Stateside landmarks and people, too, though fewer of us down here noticed. And when frontman Gord Downie died of brain cancer the following year, it made perfect sense that prime minister Justin Trudeau issued a statement and wept on national TV, saying, “We are less as a country. Estimated to have been viewed by over a quarter of the country’s population, the concert left audiences in tears from Vancouver to Newfoundland. In fact, Rush’s manager once said as much to Tragically Hip drummer Johnny Fay.įittingly, the band’s last show was broadcast across Canada. North of the border, meanwhile, Canadian giants like Neil Young and Rush haven’t resonated in quite the same way, either. Even Springsteen, Berlin mused, doesn’t work as a parallel. act that’s struck as deep of a nerve in the American consciousness as The Hip did in their native Canada. Berlin, who produced two of the Ontario quintet’s mid-career albums, offered that he couldn’t think of a U.S. ![]() Weeks before The Tragically Hip took their final bow with a historic farewell performance in August of 2016, Los Lobos saxophonist Steve Berlin was asked to “eulogize” the band for the Canadian publication Maclean’s. ![]()
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